ALBUM REVIEW: The Weather Station’s ‘Ignorance’ Is A Beautiful Whirlwind
The fifth record from the Tamara Lindeman-fronted outfit is utterly sublime, a new direction that the band hasn't gone before.
ALBUM REVIEW: Playboi Carti Gets Weirder on ‘Whole Lotta Red’
The highly anticipated album is, in many ways, an utterly fascinating trip from the iconoclastic rapper.
ALBUM REVIEW: Bill Callahan Settles in on ‘Gold Record’
A gentle warmth enlivens the singer-songwriter's follow-up to 2019's 'Shepherd in a Sheepskin Vest'.
ALBUM REVIEW: Nas and Hit-Boy Unite on ‘King’s Disease’
Bottom Line: it's the best Nas record in years.
Bob Dylan’s Long Road to ‘Rough and Rowdy Ways’
In contemplating the Bard’s remarkable new album, Rob Nicklin obsessively revisits his mammoth 60-year career, before bringing it all back home. (Long read ahead).
ALBUM REVIEW: MIKE’s ‘Weight of the World’ is a Raw, Exceptional Eulogy for a Lost Loved One
The latest long player from the Bronx rapper/producer is a beautiful meditation on grief that shows how much he's grown.
ALBUM REVIEW: HAIM Makes a Crappy Year a Little Bit Better on ‘WIMP3’
The Haim sisters' third outing is a masterpiece of sunny California rock.
Love Will Tear Us Apart: Joy Division’s ‘Closer’ at 40
The life and death of an album that defined and abruptly ended an era.
ALBUM REVIEW: ‘RTJ4’
Killer Mike and El-P's glorious late-career renaissance continues with another profoundly timely, brilliantly explosive masterpiece.
YOU GOTTA HEAR THIS: Chubby and The Gang
This might just be the best punk album of 2020.
ALBUM REVIEW: ‘Sailor Poon’s First Album’ is Here to Sit on Your Face
Loud, brash and in your face, Sailor Poon may as well be the face of the modern riot grrrl movement.
ALBUM REVIEW: X Sound Forever Young on ‘ALPHABETLAND’
The L.A. punks reunite with their original lineup for the first time in 35 years.
ALBUM REVIEW: Charli XCX Finds Connection in Isolation
Her new album, 'how i'm feeling now', channels the anxieties of quarantine into a bold, delightful statement.
ALBUM REVIEW: Chris Brown Still Sucks
Young Thug is carrying dead weight on 'Slime & B'.
ALBUM REVIEW: Isobel Campbell Paints a Rainbow on ‘There Is No Other’
Like being licked in the ear by a psychedelic mushroom.
Quarantine Diaries: Time Traveling with Melody Fields
Drop the needle and right away you’re needing to give your inner eye a quick squeegee.
YOU GOTTA HEAR THIS: The Cosmic Creeps’ ‘Crawl’
The Fort Worth psych rockers drop one helluva debut.
ALBUM REVIEW: Fiona Apple’s ‘Fetch The Bolt Cutters’ is Infinite
The songwriter laureate's fifth record is a stewing masterpiece, brewed of raw honesty and imperfection.
ALBUM REVIEW: The Homesick Hits the Gym on ‘The Big Exercise’
On their Sub Pop debut, the Dutch trio finds their magic formula.
ALBUM REVIEW: Shabazz Palaces Gets Funky with ‘The Don of Diamond Dreams’
The new record from Ishmael Butler's experimental rap venture is a delightful mix of psychedelic and corporeal funk.
THE UNDERDOGS: Deerhunter’s ‘Monomania’
A column about underrated albums that didn’t get their due.
Quarantine Diaries: The Glory of Gil Evans
So now they got me in lockdown. Man is stuck indoors. Nothing to do. Twenty three hours
YOU GOTTA HEAR THIS: Ty Segall Covers Harry Nilsson
Good stuff can come out of bad times.
ALBUM REVIEW: Boldy James Steps Out on ‘The Price of Tea in China’
The Detroit MC emerges from the underground on his Alchemized LP.
YOU GOTTA HEAR THIS: Omni’s ‘Networker’
A stripped-down vision of post-punk that’s no less thrilling.
ALBUM REVIEW: Can Soundtracks the Apocalypse on ‘Live 1970’
Legendary live set from the experimental pioneers does not disappoint.
ALBUM REVIEW: Destroyer Returns With ‘Have We Met’
Dan Bejar's new record just might be his best since 'Kaputt.'
ALBUM REVIEW: Real Estate Paint Their Masterpiece on ‘The Main Thing’
Like hearing from an old friend.
ALBUM REVIEW: Disclosure’s New EP is a Bouncy Return to Form
The Lawrence bros return with 5 tracks of globe-trotting house music.
ALBUM REVIEW: Moses Boyd Soundtracks Dark Days in the U.K.
The drummer/producer's solo debut is a post-Brexit masterpiece.
ALBUM REVIEW: Green Day Keeps It Brief on ‘Father of All…’
While no one really needs a new Green Day album, the aging punks' latest effort doesn't overstay its welcome.
ALBUM REVIEW: Beach Slang Makes Their Perfect ’80s Mixtape
With an actual Replacement joining them in the studio, the Philly outfit doubles down on their hard rock influences.
ALBUMS OF THE DECADE: Kanye West’s ‘My Beautiful Dark Twisted Fantasy’
MMC Writers reflect on their favorite records of the 2010s
The Greatness of Rush’s ‘Moving Pictures’
With last week’s passing of Rush drummer and lyricist Neil Peart, we revisits the band's 1981 masterpiece.
The Top 5 Alt Rock Albums of 2019
Emo, indie and post-punk all had a big year.
ALBUM REVEIW: ‘Prison on a Hill’ Is Somos at Their Most Anthemic
The Boston emo outfit dropped one of 2019's most underrated LP.
Claire Brown’s Top 25 Albums of 2019
If you don't know many of these, you're probably over the age of 25.
Mr. Owl’s Top 15 Albums of 2019
A tribute to MMC's many contributors.
The 10 Best Rock Albums of 2019
Australia killed it this year.
Album Operator’s 10 Favorite Records of 2019
Including one new all-time favorite!
The 10 Best Indie Rock Albums of 2019
Let the debate begin!
ALBUMS OF THE DECADE: Radiohead’s ‘A Moon Shaped Pool’
MMC Writers reflect on their favorite records of the 2010s
ALBUM REVIEW: Leonard Cohen’s Takes a Final Bow on ‘Thanks for the Dance’
The Godfather of Gloom had one more timeless tome up his sleeve.
ALBUMS OF THE DECADE: Jónsi’s ‘Go’
MMC Writers reflect on their favorite records of the 2010s.
ALBUMS OF THE DECADE: Father John Misty’s ‘I Love You, Honeybear’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: The Who Come Full Circle on ‘WHO’
Pete Townshend and Roger Daltrey finally figured out how to forge on.
ALBUM REVIEW: Michael Kiwanuka Lays It All out There on ‘KIWANUKA’
The British singer-songwriter quietly drops his biggest statement yet.
ALBUMS OF THE DECADE: PUP’s ‘Morbid Stuff’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Angel Olsen Gets Reflective on ‘All Mirrors’
Give it a chance, and she'll blow you away again.
ALBUMS OF THE DECADE: Vampire Weekend’s ‘Modern Vampires of the City’
MMC Writers reflect on their favorite records of the 2010s.
ALBUMS OF THE DECADE: Public Service Broadcasting’s ‘Every Valley’
MMC Writers reflect on their favorite records of the 2010s.
YOU GOTTA HEAR THIS: Jaakko Eino Kalevi’s ‘Dissolution’
The Finnish artist gets funky on new mini-album.
ALBUMS OF THE DECADE: Deerhunter’s ‘Halcyon Digest’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM OPERATOR’S CRATE CLASSICS: J-Live’s ‘The Best Part’
On “Crate Classics,” Album Operator dusts off the records of his college radio sets in Boston ('96-'00) and his days DJing NYC in the early '00s.
ALBUMS OF THE DECADE: Arctic Monkeys’ ‘AM’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Hovvdy is Here Just in Time for Fall
The Austin "pillowcore" duo's third LP fits just like your favorite sweater.
ALBUM REVIEW: Charli XCX Bets on the Sound of the Future, and Wins
The U.K.'s alt-pop queen has her finger on the pulse of something big.
ALBUMS OF THE DECADE: Lorde’s ‘Pure Heroine’
MMC Writers reflect on their favorite records of the 2010s.
EP REVIEW: Bradford Cox and Cate le Bon Don’t Live up to the Myth
The indie alchemists fail to make magic on their collaborative EP.
My Experience at Kanye West’s Sunday Service
Three years ago, in September of 2016, I saw Kanye West perform at Madison Square
ALBUMS OF THE DECADE: PJ Harvey’s ‘Let England Shake’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Liam Gallagher Sucks on ‘Why Me? Why Not?’
Our writer is not a fan of the latest post-Oasis solo album.
YOU GOTTA HEAR THIS: Gene Clark’s ‘No Other’
Gene Clark’s 1974 album, No Other, is one of those records that didn’t belong in
ALBUMS OF THE DECADE: Girls’ ‘Father, Son, Holy Ghost’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Robert Glasper Expresses Both Sides of Himself on ‘Fuck Yo Feelings’
No one marries jazz and hip-hop quite as masterfully as Robert Glasper.
ALBUMS OF THE DECADE: The Roots’ ‘Undun’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Wilco Marches on with ‘Ode To Joy’
The indie monolith's 11th LP is a restrained but relentless symphony.
ALBUM REVIEW: The Gospel According to Kanye West
The man who once declared "I Am A God," grapples with his version of what it means to be "Christ-like."
ALBUM REVIEW: Gang Starr Comes Back to Life on ‘One of the Best Yet’
With Guru spitting from beyond the grave, ain’t a damn thing changed.
ALBUM REVIEW: Big Thief Comes Back to Earth on ‘Two Hands’
If fans were hoping for a more direct follow-up to 2017’s 'Capacity' in 'U.F.O.F.', they finally got it here.
ALBUM REVIEW: DIIV Comes Clean on ‘Deceiver’
The Brooklyn shoegazers confront addiction and their influences on powerful third album.
Kiefer’s Music Mondays: Sufjan Stevens’ ‘Michigan’
Sufjan cut no corners on the first (and second to last) installment of his 50 States Project.
ALBUMS OF THE DECADE: Tokyo Police Club’s ‘Champ’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Sturgill Simpson’s ‘Sound & Fury’ is One Hell of a Ride
The country outlaw's latest is a rock 'n' roll joyride to Hell and back.
ALBUM REVIEW: Kim Gordon Keeps Her Crown on ‘No Home Record’
The queen mother of noise-punk is back, and she's in incredible shape!
Kiefer’s Music Mondays: Mumford & Sons’ ‘Sigh No More’
The album that broke indie-folk into the mainstream is a heck of a lot deeper than banjos and catchy choruses.
ALBUM REVIEW: Mahalia’s Debut is All Love, No Compromise
The U.K. R&B songstress displays intelligence and soul beyond her years on her full-length debut.
ALBUM REVIEW: John Coltrane is in Peak Form on ‘Blue World’
With his Classic Quartet in tow, the sax legends is alive and well on newly unearthed soundtrack sessions.
Kiefer’s Music Mondays: MGMT’s ‘Oracular Spectacular’
MGMT's classic 2008 debut is an album unlike anything found in the furthest reaches of space.
Fleetwood Mac’s ‘Tusk’ Turns 40
If 'Rumours' made Fleetwood Mac superstars, 'Tusk' made them legends.
ALBUMS OF THE DECADE: Jamie xx’s ‘In Colour’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Nick Cave Looks Toward the Light on ‘Ghosteen’
But you might find yourself missing the darkness...
THE UNDERDOGS: Animal Collective’s ‘Centipede Hz’
A column about underrated albums that didn’t get their due.
Kiefer’s Music Mondays: Cream’s ‘Disraeli Gears’
The gospel of the '60s psych rock reformation.
Ginger Baker Dead at 80
Ginger Baker was a madman. A self-described hellraiser. An explosive temper known to physically attack
YOU GOTTA HEAR THIS: Cosmo Sheldrake
If the visionary London-based multi-instrumentalist isn't on your radar yet, he should be.
ALBUM REVIEW: JPEGMAFIA’s ‘Cornball’ is a Searing Manifesto for the Internet Age
The experimental rap firestarter returns with a fragmented, complicated work that capitalizes on the increasing hype around his name.
YOU GOTTA HEAR THIS: Freya Ridings is on Fire
What you'd get if Florence Welch picked up Adele's songbook.
ALBUMS OF THE DECADE: ‘The Head and the Heart’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Post Malone Draws No Blood on ‘Hollywood’s Bleeding’
The hitmaker may have gotten stuck inside his own formula.
ALBUM REVIEW: Jenny Hval Broadens Her Horizons on ‘The Practice of Love’
The Norwegian avant-pop vanguard's new record is her best yet.
ALBUM REVIEW: Iggy Pop is Truly Liberated on ‘Free’
What’s more punk rock than the godfather of it dropping some artsy ambient jazz?
Kiefer’s Music Mondays: ‘Abbey Road’ Side A
Fifty years later, 'Abbey Road' might be the greatest breakup letter ever written.
ALBUM REVIEW: Miles Davis Springs Back to Life on ‘Rubberband’
The late jazz icon like you've never heard him before.
Girls’ ‘Album’ Turns 10
Music this profound often comes from a dark place.
ALBUMS OF THE DECADE: Destroyer’s ‘Kaputt’
MMC Writers reflect on their favorite records of the 2010s.
You Can Soon Hear the Bob Dylan-Johnny Cash Sessions in Full
The Bootleg Series Vol. 15 is on its way.
ALBUM REVIEW: Sleater-Kinney Sounds like Someone New on ‘The Center Won’t Hold’
Depending on your perspective, the riot grrrl heroes' St. Vincent-produced ninth LP is either a triumph or a tragedy.
YOU GOTTA HEAR THIS: Paul Cauthen’s ‘Room 41’
Strap in for a G-funk infused country freakout.
ALBUM REVIEW: ‘We Love You Tecca’ is a Trap for Young Players
A little variety would have gone a long way.
Kiefer’s Music Mondays: Arcade Fire’s ‘Funeral’
The indie rock royals made their perfect debut 15 years ago.
ALBUM REVIEW: (Sandy) Alex G Gets Deep on ‘House of Sugar’
The Philly indie experimentalist explores temptation and unluckiness in the everyday.
ALBUMS OF THE DECADE: alt-J’s ‘An Awesome Wave’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM OPERATOR’S CRATE CLASSICS: Edan’s ‘Beaty and the Beat’
On “Crate Classics,” Album Operator dusts off the records of his college radio sets in Boston ('96-'00) and his days DJing NYC in the early '00s.
ALBUM REVIEW: Ezra Furman Lets out Her Inner Punk on ‘Twelve Nudes’
She's always been punk at heart.
ALBUM REVIEW: Lana Del Ray Finds the Silver Lining on ‘Norman Fucking Rockwell’
We knew Lana can swear like a sailor, but the knowledge that she can feel things comes as more of a shock.
ALBUM REVIEW: Jidenna Paves the Way for Retro-Afro-Futurism on ‘85 to Africa’
The Nigerian-American hip-hop crooner continues his trendsetting path.
ALBUMS OF THE DECADE: The National’s ‘High Violet’
MMC Writers reflect on their favorite records of the 2010s.
Kiefer’s Music Mondays: ‘Long May You Run’
"Funny how some things that start spontaneously end that way."
YOU GOTTA HEAR THIS: Rebecca Lou’s ‘Bleed’
The Danish rocker delivers timeless songs that go straight into your soul.
ALBUMS OF THE DECADE: Japandroids’ ‘Celebration Rock’
MMC Writers reflect on their favorite records of the 2010s.
ALBUM REVIEW: Drew Holcomb’s ‘Dragons’ Takes the Long Way Home
The Tennessee trio adds a dash of pop to their trusted Americana formula.
ALBUM REVIEW: Creedence Clearwater Revival Lives up to the Legend on ‘Live at Woodstock’
A visceral document of a band at the peak of its prowess, and only getting better.
ALBUM REVIEW: The Hold Steady Keeps on Trucking on ‘Thrashing Thru The Passion’
On LP7, Craig Finn and Co. settle in for the long haul.
ALBUM REVIEW: Kano Rolls Up His Sleeves on ‘Hoodies All Summer’
The Grime veteran is the voice the U.K. streets need.
ALBUM REVIEW: Young Thug Settles into His Throne on ‘So Much Fun’
Atlanta's most ambitious iconoclast returns with a terrific record that plays to his many strengths.
ALBUM REVIEW: Tycho Finds a New Forecast on ‘Weather’
The new LP marks a collaborative turning point for the ambient outfit.
Kiefer’s Music Mondays: Mac Miller’s ‘Swimming’
We lost Mac Miller a year ago this week.
YOU GOTTA HEAR THIS: bLAck pARty’s ‘Endless Summer’
The Los Angeles R&B artist encapsulates the sound of a California sunset.
ALBUM REVIEW: Sheer Mag Keeps the Party Rocking on ‘A Distant Call’
The Philadelphia rockers return with more great riffs and a lot on their minds.
Your First Taste of Neil Young & Crazy Horse’s ‘COLORADO’ is Here
So far, so good, Neil.
ALBUM REVIEW: You Can’t Be Immune to Clairo
Forget the backstory and let this sunny pop album play the summer out.
ALBUM REVIEW: The Murder Capital Plays like There’s No Tomorrow on ‘When I Have Fears’
The brooding hostility on the Irish post-punks' debut suggests a band that are absolutely certain of their worth.
ALBUM REVIEW: Oh Sees Look Back for Once on ‘Face Stabber’
John Dwyer weaves together the many threads of his past.
ALBUM REVIEW: BROCKHAMPTON Hugs It out on ‘GINGER’
A minimalist meditation from the young hip-pop crew.
BAD ALBUM ANNIVERSARIES: ‘Chicago Transit Authority’
Not all anniversaries are good.
Kiefer’s Music Mondays: Banks & Steelz’ ‘Anything But Words’
When you think about it, the unlikely, underrated rap-rock collaboration makes perfect sense.
Kiefer’s Music Mondays: Interpol’s ‘Turn On The Bright Lights’
Interpol's debut is equal parts visceral euphoria and perspicacious workout.
Kiefer’s Music Mondays: Wu-Tang Clan, “Enter The Wu (36 Chambers)’
'36 Chambers' quintessentially terra-formed the topography of rap.
YOU GOTTA HEAR THIS: Channel Tres’ ‘Black Moses’ EP
The L.A. artist's second project is the coolest damn thing you'll hear this year.
Sunset Rubdown: A Decade of Absurdity and Escapism
Ten years since their final album, Sunset Rubdown's discography is a welcome reprieve from the modern world.
ALBUM REVIEW: Black Dresses Come Out to Play on ‘Love And Affection for Stupid Little Bitches’
With their third release of 2019, the experimental duo has finally begun to garner some much deserved attention.
THE UNDERDOGS: Spoon’s ‘Transference’
A column about underrated albums that didn’t get their due.
Sturgill Simpson is Back in Action (and Anime)
Bet you didn't see this coming!
ALBUM REVIEW: Ty Segall Finds a New Flavor on ‘First Taste’
Ty’s latest drags you through a minefield of sounds—with surprisingly little guitar.
Dust off That VCR: The Elephant 6 Doc Is out Now
Coming to a Blockbuster near you!
Kiefer’s Music Mondays: Cory Branan’s ‘The No-Hit Wonder’
It's a wonder this alt-country LP wasn't more of a hit!
‘Kind of Blue’ Turns 60
There's a reason Miles Davis' seminal work is widely acknowledged as the greatest jazz album of all time.
ALBUM REVIEW: Black Pumas Make Classic Soul Sound New Again
But don't call it "retro"...
ALBUM REVIEW: Dude York Switches It Up on ‘Falling’
The nostalgic rock trio lets a new voice emerge on LP3.
ALBUM REVIEW: Bon Iver Comes Full Circle on ‘i,i’
The new record from Justin Vernon and company is an expansive, welcoming culmination of everything they've done.
ESSENTIALS: Before The Shins, There Was Flake Music
James Mercer is so meta he named his second band after his first band.
The xx’s Debut Turns 10
Some albums are forever linked to a specific place and time.
ALBUM REVIEW: Black Milk Flexes on ‘DiVE’
The Detroit producer/MC shows off his multifaceted skills.
Kiefer’s Music Mondays: The Garden State Soundtrack
The generation-defining soundtrack turns 15 years old this week.
ALBUM REVIEW: Weatherday’s ‘Come In’ is an Instant Lo-Fi Classic
The mysterious Swedish artist may have made the next 'Twin Fantasy'.
ALBUM REVIEW: Florist’s Folk Music Gazes Into The Abyss on ‘Emily Alone’
Emily Sprague explores the warmth of emptiness.
David Berman Dead at 52
The poet, writer and indie rock narrator was the force behind Silver Jews and Purple Mountains.
ALBUM REVIEW: MadGibbs Reunite in Perfect Sequel
'Bandana' is a razor-sharp, zealous and picturesque follow-up.
Kiefer’s Music Mondays: Pink Floyd’s ‘The Piper at the Gates of Dawn’
A free-form fusion of kaleidoscopic engineering, psychotropic songwriting, and symphonically-expanded consciousness.
Jay Reatard’s ‘Watch Me Fall’ Turns 10
The Memphis punk legend's last album shows the incredible talent that slipped away before we knew him.
‘Fear Of Music’ Turns 40
Talking Heads' third record remains one of the most foreboding records ever made.
ALBUM REVIEW: Quantic Tries to Please Everyone, and Succeeds
The electronic auteur's 10th album is hard to describe but easy to love.
ALBUM REVIEW: Angie McMahon Comes Into Her Own on ‘Salt’
The Australian singer-songwriter exceeds expectations on her fantastic debut.
ALBUM REVIEW: Fontaines D.C. Make One Hell of an Impression on ‘Dogrel’
The Irish post-punk outfit's loaded debut is a love letter to Dublin.
ALBUM REVIEW: Chance The Rapper’s ‘The Big Day’ is a Big Disappointment
Say it ain't so, Chano!
THE UNDERDOGS: The Cars’ ‘Candy-O’
A column about underrated albums that didn’t get their due.
ALBUM REVIEW: Dreamville Returns With Their Third (And Best) ‘Revenge’ Installment Yet
J. Cole's crew combines for one of the most commanding collaborative efforts the year.
Kiefer’s Music Mondays: The Strokes’ ‘Is This It’
The turn of the century classic turns 18 years old this week.
ALBUM REVIEW: Khruangbin Reaches for the Sky on ‘Hasta El Cielo’
The Texas trio gives their 2018 masterpiece a dub redux.
ALBUM REVIEW: Beyoncé’s Lion King Album Tries Too Hard
Quality performances and curation are marred by mixed execution.
‘Paul’s Boutique’ Turns 30
The commercial flop and sample-based masterpiece could have easily never happened.
ALBUM REVIEW: Hatchie’s ‘Keepsake’ Isn’t Worth Holding Onto
The Aussie dream-pop singer's '90s-soaked debut is too much pop and not enough dream.
ALBUM REVIEW: David Berman’s Return As ‘Purple Mountains’ Is Marvelous
His first record since dissolving Silver Jews in 2009 is easily one of his finest.
ALBUM REVIEW: Titus Andronicus Keeps It Simple on ‘An Obelisk’
The New Jersey punks embrace a straightforward approach on their Bob Mould-produced sixth album.
ALBUM REVIEW: Mannequin Pussy Has No ‘Patience’
The Philly outfit is loud and noisy on brief third LP
ALBUM REVIEW: The Black Keys Get Back to Basics (Sort of) on “Let’s Rock”
The Akron duo's first self-produced record in 13 years is, if nothing else, catchy as hell.
Kiefer’s Music Mondays: ‘Born in the U.S.A.’
Thirty-five years later, it's still a subversive proclamation about everyday Americans.
ALBUM REVIEW: The Raconteurs Offer More of the Same on ‘Help Me Stranger’
Their first record in 11 years is bogged down by the same old mistakes.
ALBUM REVIEW: Black Midi’s ‘Schlagenheim’ is a Promising Start
The exciting young experimentalists may have lost something when translating their frenetic live show to the studio.
Kiefer’s Music Mondays: Florence + The Machine’s ‘Lungs’
Much like respiration, Florence Welch's debut is as easy to listen to as it is invigorating.
THE UNDERDOGS: The Avalanches’ ‘Wildflower’
A column about underrated albums that didn't get their due.
ALBUM REVIEW: Bill Callahan Finds Sunlight On ‘Shepherd In A Sheepskin Vest’
The indie-folk bard cooly dances with death and family life on his loosest record in memory.
ALBUM REVIEW: Thom Yorke is Restlessly Brilliant on ‘ANIMA’
The Radiohead frontman's new solo record is easily his best one yet.
Dev Del Molino’s Top 6 Hip-Hop Albums of 2019 So Far
MMC Writers look back at the last six months in music
ALBUM REVIEW: GoldLink’s ‘Diaspora’ is Diverse in Sound (and Quality)
The D.C. rapper's eclectic second studio album is a mixed bag
EP REVIEW: Lil Nas X’s ‘7 EP’ is a Mixed Bag of Nothing
As it turns out, the viral wonder is a fairly versatile artist, but it doesn't do him any favors.
ALBUM REVIEW: Bleak is Beautiful in Kate Tempest’s ‘Book of Traps and Lessons’
The English poet's latest is required reading for 21st century humanity
Kiefer’s Music Mondays: Regina Spektor’s ‘Far’
The singer-songwriter's ambitious and brilliant fifth album came out 10 years ago this week
ALBUM REVIEW: Swimming Tapes Make Summer Shoegaze to Delight and Excite
The Northern Irish indie outfit emits warm, nostalgic vibes that always go down smooth
Philippe Zdar Dead at 52
The Grammy-winning French producer was best know as one half of Cassius, as well as Motorbass
ALBUM REVIEW: ‘1000 gecs’ is a Mind-Melting, Post-Internet Fever Dream
Don’t say we didn't warn you...
Rolling Thunder Revisited: You Don’t Know Jack About Bob Dylan
And other revelations of Netflix's 'Rolling Thunder Review'
Frightened Rabbit Announce New Tribute Album for ‘The Midnight Organ Fight’
Featuring Julien Baker, Aaron Dessner, Lauren Mayberry, Ben Gibbard, Craig Finn and more.
ALBUM REVIEW: *repeat repeat’s ‘Glazed’ Is Tooth-Achingly Sweet
With help from a Black Key, the Nashville unit gives their sound a shiny coat of paint.
The Best YouTube Comments About Captain Beefheart’s ‘Trout Mask Replica’
The avant-garde keystone turns 50 years old today
Joy Division’s ‘Unknown Pleasures’ Turns 40
The claustrophobic post-punk masterpiece still stuns four decades later.
ALBUM REVIEW: Kishi Bashi Creates Light out of Darkness on ‘Omoiyari’
Even without the premise, this album will make your day brighter
ALBUM REVIEW: Prince’s Raw Genius Is on Full Display on ‘Originals’
The first full-on masterpiece from the Purple One's mythic Vault
Sigur Rós’ ‘Ágætis Byrjun’ Turns 20
The Icelandic post-rockers' magnum opus remains miles ahead of everything that preceded or followed.
ALBUM REVIEW: Black Mountain Blaze Their Own Highway to Hell on ‘Destroyer’
Exploring the harder side of their ‘70s-indebted sound
Kiefer’s Music Mondays: David Bowie’s ‘Space Oddity’
The first taste of Bowie's infinite potential.
EP REVIEW: Is Miley Cyrus Even Trying on ‘She Is Coming’?
Miley is flying on autopilot, armed with a fatal lack of self-awareness
Dirty Projectors’ ‘Bitte Orca’ Turns 10
When avant garde meets pop accessibility, magical things can happen.
‘Californication’ Turns 20
A soundtrack for the end of the '90s
Dr. John Dead at 77
The New Orleans music legend was truly one of a kind.
Radiohead Fans Leak 18 Hours of Material from the ‘OK Computer’ Sessions
Man, it feels like 2003, doesn't it?
ALBUM REVIEW: Steve Lacy Sputters to Moon and Back on ‘Apollo XXI’
When launching into space, small miscalculations can be fatal.
ALBUM REVIEW: Holly Herndon Pushes New Boundaries on ‘PROTO’
The Berlin-based experimental artist's latest work was recorded in collaboration with a unique vocalist: an AI computer named Spawn.
S.U.S.H.I EP 007: “Honey, I Smoked The Mids”
A bi-weekly playlist diary of “Stuff U Should Hear Immediately.”
ALBUM REVIEW: Denzel Curry Forgot to Try on ‘ZUU’
The South Florida sensation attempts to freestyle another masterpiece, and fails.
ALBUM REVIEW: Remo Drive Pushes the Envelope on ‘Natural, Everyday Degradation’
The Minnesota emo duo evolves on masterful second full-length
Kiefer’s Music Mondays: Neil Young’s ‘Harvest’
One of the most celebrated and endlessly influential albums in rock history.
BAD ALBUM ANNIVERSARIES: Revisiting The Black Eyed Peas’ ‘The E.N.D.’
“I'm so 3008. You so 2000 and late.”
‘Enema of the State’ Turns 20
What's My Age Again?
ALBUM REVIEW: ‘Here Comes The Cowboy’ Is Mac Demarco at His Most Minimalist
Good luck staying awake.
Roky Erickson Dead at 71
The 13th Floor Elevators singer led a brilliant career and a hard life.
‘Ill Communication’ Turns 25
Could Beastie Boys' wildly entertaining 4th album in fact be their best?
Leon Redbone Has Crossed over the Delta
"He departed our world with his guitar, his trusty companion Rover, and a simple tip of the hat."
ALBUM REVIEW: Pile’s ‘Green and Gray’ is a Rewarding Challenge
This album demands your whole attention.
ALBUM REVIEW: Amyl And The Sniffers Are Making the Mullet Great Again
Business in the front. Party in the back.
The Bitter Battle for “Bittersweet Symphony” Ends on a Sweet Note
A rock and roll hatchet has finally been buried.
Kiefer’s Music Mondays: ‘Straight Outta Compton’
They don't call 'em "The World's Most Dangerous Group" for nothing
ALBUM REVIEW: Ari Lennox Empties the Clip with Unforeseen Accuracy on ‘Shea Butter Baby’
Dreamville Records officially has their songstress supreme.
Grizzly Bear’s ‘Veckatimest’ Turns 10
The late '00s were a strange time for popular music.
‘Wolfgang Amadeus Phoenix’ Turns 10
An effortless, infectious indie pop classic as witty as it is wise.
ALBUM REVIEW: There’s Plenty Great About Slowthai’s ‘Nothing Great About Britain’
The Northampton rapper has a lot to say on his debut album.
Hear Side 1 of Bill Callahan’s New Album
'Shepherd in a Sheepskin Vest' drops in full on June 14.
ALBUM REVIEW: Empath Makes Experimental Listenable on ‘Active Listening: Night on Earth’
The Philly band makes psychedelic noise punk reminiscent of Sonic Youth, Fiery Furnaces and Deerhunter.
The New Leonard Cohen Doc Looks as Beautiful as One of His Poems
'Marianne & Leonard: Words of Love' hits theaters this July.
ALBUM REVIEW: Injury Reserve Takes DIY to the Next Level on Major Label Debut
The Arizona rap trio stands with the best of them.
ALBUM REVIEW: ‘IGOR’ Is Tyler, The Creator like You’ve Never Heard Him Before
Tyler’s marvelous new album is a wide-screen exploration of lost love that dazzles at every turn.
S.U.S.H.I EP 006: “Hoes Mad x24”
A bi-weekly playlist diary of “Stuff U Should Hear Immediately.”
‘The Undertones’ Turns 40
The old farts turn 40, but they are still able to give you the teenage kicks!
ALBUM REVIEW: Boogarins Bring Modern Tropicália to the Masses on ‘Sombrou Dúvida’
Adventurous Brazilian psych for fans of Dungen or Tame Impala.
Kiefer’s Music Mondays: Greta Van Fleet’s ‘Black Smoke Rising’
What do you do when you’re part of a set of twin musicians, with a
Kiefer’s Music Mondays: ‘Zeppelin IV’
Otherwise known as "ZoSo," "Runes," or by its technical name: four indescribable symbols.
Hip-Hop Radar: May 20, 2018
A weekly recap of what’s new in Hip-Hop and R&B.
Emma Ruth Rundle’s ‘Some Heavy Ocean’ Turns 5
Five years later, the singer-songwriter’s solo debut still haunts.
EP REVIEW: Interpol’s ‘A Fine Mess’ Is Just Fine
An uneven EP of leftovers from an uneven album.
ALBUM REVIEW: Nots’ ‘3’ Is Paint-By-Numbers Post-Punk
The Memphis post-punk outfits' third LP is a generic example of today's legitimately interesting post-punk revival.
“Old Town Road” Got the Epic Music Video It Deserves
Every once in a while, a song comes along and mucks up the entire hit machine.
‘The Soft Bulletin’ Turns 20
The Flaming Lips album where everything came together.
Moby’s ‘Play’ Turns 20
Looking back at Moby's groundbreaking masterpiece.
ALBUM REVIEW: The National Does the Impossible on ‘I Am Easy To Find’
The band's most ambitious project ever is also (somehow) their best.
ALBUM REVIEW: Tank and The Bangas Miss their Mark on ‘Green Balloon’
Having won NPR’s Tiny Desk Contest in 2017, New Orleans R&B outfit Tank and the
ALBUM REVIEW: Big Thief’s Make Friends With Aliens on ‘U.F.O.F’
Follow their advice, and you may have found your new favorite album.
ALBUM REVIEW: Jamila Woods Assures Her Place in History on ‘LEGACY! LEGACY!’
The Chicago poet's second album is the most profound work of art you'll hear this year.
The B-52’s Announce ‘Cosmic Thing’ Expanded Edition
Featuring B-sides, remixes and live cuts.
L7’s First Album in 20 Years is Nothing New
The L.A. punk legends sound rusty.
Hip-Hop Radar: May 13, 2018
A weekly recap of what's new in Hip-Hop and R&B.
Mike Mills and The National Share Their Short Film ‘I Am Easy To Find’
You're going to need some tissues.
ALBUM REVIEW: ‘In The End’ Is a Fitting Farewell to The Cranberries
Dolores would have been proud.
ALBUM REVIEW: Grand Ambitions Pay Off on Local Natives’ ‘Violet Street’
The most interesting music they've put out in years.
Say It Ain’t So: Weezer’s Blue Album Turns 25
How many songs have maintained constant rotation on alternative rock radio for the past 25 years? This album has four of them.
ALBUM REVIEW: Vampire Weekend Extend Their Perfect Record on ‘Father of the Bride’
This writer is picking his Album of the Year early.
The New Led Zeppelin Doc is Going to Be Epic
Just in time for the band's 50th anniversary.
ALBUM REVIEW: Foxygen Remain the Maestros of Retro Modernism on ‘Seeing Other People’
But who does his voice sound like...?
ALBUM REVIEW: Protomartyr’s ‘No Passion All Technique’ is Pure Dark Magic
More like 'All Passion No Technique'.
S.U.S.H.I EP 005: “Banana Bread At Work Dude, HELL YEAH”
A bi-weekly playlist diary of “Stuff U Should Hear Immediately.”
Hip-Hop Radar: May 6, 2018
A weekly recap of what's new in Hip-Hop and R&B.
ALBUM REVIEW: Ezra Collective Dives into the Deep End on Sharp Debut
The London five-piece is leading the new-wave of UK jazz.
ALBUM REVIEW: Kevin Abstract Takes a Mental Break from BROCKHAMPTON on ‘ARIZONA BABY’
What it lacks in unity is made up for in diversity.
ALBUM REVIEW: Kevin Morby Talks to the Lord on ‘Oh My God’
Singer-songwriter strips down his sound and goes to church.
ALBUM REVIEW: Nico Segal and Nate Fox Fail to Tie It All Together on ‘Intellexual’
The Donnie Trumpet members fall flat on new project. But it 'sounds' great!
ALBUM REVIEW: King Gizzard Gets Bluesy on ‘Fishing For Fishies’
The prolific rock chameleons go full Allman Brothers.
ALBUM REVIEW: ScHoolboy Q’s ‘CrasH Talk’ is a Letdown
But it has its moments.
Jay-Z (sorta) had his first hit 30 years ago today.
We all gotta start somewhere.
‘The Stone Roses’ at 30
The album that broke (and typified) the Madchester scene.
The Cure’s ‘Disintegration’ at 30
The album that said goodbye to the dark ‘80s and led it into the living rooms of the next decade.
ALBUM REVIEW: Avey Tare’s ‘Cows on Hourglass Pond’ is a Warm Return to the Old AnCo Sound
Fans of 'Sung Tongs' and 'Feels' will be very pleased.
ALBUM REVIEW: Rico Nasty and Kenny Beats Blow Their Tops on ‘Anger Management’
Trap's most exciting duo loses their temper – in a good way – on their full-length collaboration.
ALBUM REVIEW: Jens Lekman & Annika Norlin Exchange Letters on ‘Correspondence’
This writer was not amused.
ALBUM REVIEW: Wet Dreams Rock Hard on Self-Titled Debut
The first album from the Norwegian bad boys kicks some serious ass.
Hip-Hop Radar: April 29, 2018
Ft. ScHoolboy Q, Rico Nasty & Kenny Beats, Kevin Abstract and more.
ALBUM REVIEW: Cage The Elephant Sound Confined on ‘Social Cues’
If Cage the Elephant was trying to do something new on LP5, they ended up with a forgettable repeat of their formula.
ALBUM REVIEW: Drugdealer Goes Full Yacht Rock
On his second album as Drugdealer, Michael Collins adds polish to his laidback AM pop.
ALBUM REVIEW: Jade Bird Flies High on Debut LP
With delicacy, power, style and grit, Jade Bird delivers a master's thesis of modern pop Americana.
ALBUM REVIEW: White Denim Sounds Stuck on ‘Side Effects’
Austin, Texas is well known for its flourishing psych and experimental music scene, and White
ALBUM REVIEW: Beyoncé Extends Her Reign on ‘HOMECOMING’
'HOMECOMING' further cements Beyoncé as one of the greatest musical icons of our time
ALBUM REVIEW: Pivot Gang Comes Out Firing On Collective Debut
I’ve been saying it for a few years: the best and most promising hip-hop music
ALBUM REVIEW: Chemical Brothers Throw It Back on ‘No Geography’
The Chemical Brothers return to the beats and driving grooves of their early LPs.
ALBUM REVIEW: A Final Statement from the Last Delta Bluesman
'The Angels in Heaven Done Signed My Name' is a solid last statement by a man who lived the blues all of his life
ALBUM REVIEW: PUP Paint Their Pop-Punk Masterpiece
On their third LP, the Canadian punks take on morbid topics with humor and catchy choruses.
My First Vinyl Record: Modest Mouse’s ‘We Were Dead Before The Ship Even Sank’
In honor of Record Store Day, a few of our writers have shared the story of their first vinyl record.
My First Vinyl Record: ‘Album’ by Girls
In honor of Record Store Day, a few of our writers have shared the story of their first vinyl record.
My First Vinyl Record: ‘Abbey Road’
In honor of Record Store Day, a few of our writers have shared the story of their first vinyl record.
Hole’s ‘Live Through This’ at 25
On the 25th anniversary of Hole’s 'Live Through This', Ben Demars share his appreciation of the grunge classic.
ALBUM REVIEW: American Football Pulls off the Impossible on LP3
To call Illinois emo outfit American Football influential would be a gross understatement. Twenty years
ALBUM REVIEW: CHAI is Pop-Punk Perfected
The Japanese quartet will chew you up and pop you like bubblegum.
ALBUM REVIEW: Billie Eilish Busts the Hype Machine on Perfect Debut
'When We All Fall Asleep, Where Do We Go' is the most authentic pop album since Lorde’s 'Melodrama'.
ALBUM REVIEW: Weyes Blood Does Magic on ‘Titanic Rising’
A sumptuous album of baroque avant-pop in search of salvation.
ALBUM REVIEW: Ex Hex Turns It up to 11 on ‘It’s Real’
Exceptional hooks and sunny melodies about sad subjects is a good combo.
ALBUM REVIEW: Billy Woods & Kenny Segal Are Razor Sharp on ‘Hiding Place’
This is some raw hip-hop right here!
ALBUM REVIEW: Dijon Blurs Lines Like Few Can on ‘Sci-Fi 1’
The elusive singer-songwriter's first formal project since his collaboration with producer Abhi Raju.
ALBUM REVIEW: Cautious Clay Shows Why He Ruled SXSW on ‘Table of Context’ EP
If you're a fan of The Internet, or what happens when Kanye and Cudi get together, you're gonna love him.
ALBUM REVIEW: Logic’s Book Soundtrack Sucks
The next 'Speedin’ Bullet 2 Heaven'?
ALBUM REVIEW: Masked “Country Star” Orville Peck is Rides Into Town on ‘Pony’
Like the bastard child of Patsy Cline and Ian Curtis.
ALBUM REVIEW: Marvin Gaye’s ‘You’re the Man’ Reveals a Genius in the Middle of His Process
The soul icon's "lost album" is a revealing new look at a critical and uncertain point in his evolution.
‘Breakfast In America’ at 40
Carlo Thomas gives his modern assessment of Supertramp’s overblown dad rock classic.
ALBUM REVIEW: Stephen Malkmus Goes Electric on ‘Groove Denied’
But not as much as we were hoping.
ALBUM REVIEW: Look Out for Stella Donnelly on ‘Beware of the Dogs’
The Australian singer-songwriter is not to fucked with.
ALBUM REVIEW: Karen O & Danger Mouse Make Aging Look Good on ‘Lux Prima’
The indie elders flex a time-earned mastery of craft that can't be faked.
ALBUM REVIEW: The Japanese House Emerges Fully Built on ‘Good At Falling’
Amber Bain enters the indie pop elite with long-awaited debut.
ALBUM REVIEW: Foals Retrace Their Roots on ‘Everything Not Saved Will Be Lost Part 1’
The Brits talk to their past while exploring new territory.
ALBUM REVIEW: Helado Negro Gets Nostalgic on ‘This Is How You Smile’
A beautiful, meditative continuation of 2016’s excellent 'Private Energy'.
ALBUM REVIEW: Little Simz Is All That and a Bag of Chips on ‘GREY Area’
The British MC's latest LP is anything but monochromatic.
ALBUM REVIEW: Solange Does It Again on ‘When I Get Home’
The visionary, free-flowing follow-up to 'A Seat At The Table'.
ALBUM REVIEW: Pond Tightens Things Up on ‘Tasmania’
But where are the hits maaaaaan?
ALBUM REVIEW: 2 Chainz Becomes an All-Star on ‘Rap Or Go To The League’
The artist formerly known as Tity Boi paints his masterpiece.
ALBUM REVIEW: The Claypool Lennon Delirium Trips Hard on ‘South of Reality’
Side effects may include lyrical analysis paralysis, a synesthesia smells, and a burning desire to get high
ALBUM REVIEW: Hozier Sticks to the Formula on ‘Wasteland, Baby!’
But "Nina Cried Power" is a keeper!
ALBUM REVIEW: The Ghost of Townes Van Zandt Has One More Gem up His Sleeve on ‘Sky Blue’
In terms of tenderness, it easily ranks among Townes' loveliest recordings.
30 Years High and Still Rising
You have dandruff.
ALBUM REVIEW: Offset Shows Off His Worth on ‘FATHER OF 4’
The Migos member's solo debut is anything but whack!
ALBUM REVIEW: Heroes Collide on ‘Czarface Meets Ghostface’
A classic battle to abolish wackness in the rap game.
ALBUM REVIEW: Feels Try Out Grunge on ‘Post Earth’
Well that didn't work...
ALBUM REVIEW: Julia Jacklin’s ‘Crushing’ is Crushingly Beautiful
A cathartic breakup record for nihilists.
ALBUM REVIEW: What Were You Really Expecting from Lil Pump’s ‘Harverd Dropout’
The young delinquent is may not be cut out for an album-length project.
ALBUM REVIEW: SWMRS Sinks Below Water on ‘Berkeley’s on Fire’
What happened guys?
ALBUM REVIEW: Homeshake Floats High on ‘Helium’
Dreamy, outsider electronica from the former Mac Demarco member.
ALBUM REVIEW: The Specials Confront Modern Times on ‘Encore’
A worthy addition to the band's vital catalog
ALBUM REVIEW: Bob Mould Inspires Hope on ‘Sunshine Rock’
The album lives up to its name
Everybody’s Talking About Harry Nilsson
And that can't be a bad thing!
ALBUM REVIEW: Cass McCombs Gets Groovy on ‘Tip of the Sphere’
Another excellent LP from one of America's most underrated songwriters.
ALBUM REVIEW: Maggie Rogers Is Still Growing on ‘Heard It in a past Life’
But she's got a lot of potential.
ALBUM REVIEW: William Tyler ‘Goes West’ But Leaves Listeners Behind
The risks of instrumental music....
ALBUM REVIEW: Beirut Stays Beautiful but Tame on ‘Gallipoli’
A solid entry that could have been an EP.
ALBUM REVIEW: Sunflower Bean Focuses Their Gaze on ‘King of the Dudes’ EP
The NYC trio is on a track to true greatness.
MC5’s ‘Kick Out The Jams’ Turns 50
The first punk rock landmark.
ALBUM REVIEW: Phoebe Bridgers & Conor Oberst Make Magic as Better Oblivion Community Center
Too early to claim Indie Album of the Year?
ALBUM REVIEW: Aesop Rock and Tobacco Are ‘Malibu Ken’
A match made in surrealistic hip-hop heaven.
ALBUM REVIEW: Steve Gunn Broadcasts Mixed Signals on ‘The Unseen In Between’
An album that warmly invites you in while holding you at arm's length.
Remember When Maroon 5 Was Actually Pretty Good?
'Songs About Jane' still slaps.
Built To Spill’s ‘Keep It Like A Secret’ Turns 20
An indie rock landmark.
ALBUM REVIEW: Boogie’s ‘Everything’s For Sale’ is Post-Gangsta Rap
Compton rapper dwells on the consequences of the gangsta lifestyle.
ALBUM REVIEW: Weezer’s ‘Teal Album’ is Their Worst Idea Yet
And they've had some bad ideas...
Van Morrison’s ‘Veedon Fleece’ is Coming Back to Vinyl
The album Van himself tried to forget.
ALBUM REVIEW: FIDLAR Goes Mainstream on ‘Almost Free’
Major labels will do that to ya...
ALBUM REVIEW: Sharon Van Etten Has a New Weapon on ‘Remind Me Tomorrow’
The indie heartbreaker is no less powerful with a new sonic palette.
ALBUM REVIEW: James Blake Finds Love on ‘Assume Form’
Apparently even the sulkiest of souls can find happiness and contentment.
ALBUM REVIEW: Deerhunter Makes Cynicism Sound Sweet on ‘Why Hasn’t Everything Disappeared Yet?’
Their most accessible – and disillusioned – album to date.