ALBUM REVIEW: Masked “Country Star” Orville Peck is Rides Into Town on ‘Pony’
Like the bastard child of Patsy Cline and Ian Curtis.
Like the bastard child of Patsy Cline and Ian Curtis.
The soul icon’s “lost album” is a revealing new look at a critical and uncertain point in his evolution.
Carlo Thomas gives his modern assessment of Supertramp’s overblown dad rock classic.
But not as much as we were hoping.
The Australian singer-songwriter is not to fucked with.
The indie elders flex a time-earned mastery of craft that can’t be faked.
Amber Bain enters the indie pop elite with long-awaited debut.
The Brits talk to their past while exploring new territory.
A beautiful, meditative continuation of 2016’s excellent ‘Private Energy’.
The British MC’s latest LP is anything but monochromatic.
The visionary, free-flowing follow-up to ‘A Seat At The Table’.
But where are the hits maaaaaan?
The artist formerly known as Tity Boi paints his masterpiece.
Side effects may include lyrical analysis paralysis, a synesthesia smells, and a burning desire to get high
But “Nina Cried Power” is a keeper!
In terms of tenderness, it easily ranks among Townes’ loveliest recordings.
Solidifying their status as one of the most exciting innovators in both metal and indie rock.
This supercollective will never go out of style.
You have dandruff.
The Migos member’s solo debut is anything but whack!
A classic battle to abolish wackness in the rap game.