ALBUM REVIEW: JAIN Keeps Up Her Infectious Sound on ‘Souldier’
It lacks the standout cuts of her debut.
Month: August 2018
ALBUM REVIEW: Cory Wong Spreads Funky Positivity on ‘The Optimist’
Vulfpeck guitarist turns a near death experience into life-loving grooves.
ALBUM REVIEW: Odetta Hartman – Old Rockhounds Never Die’
Combining the folksy charm of Joanna Newsom and the seedy edge of Tom Waits.
ALBUM REVIEW: Something’s Missing on Interpol’s ‘Marauder’
But Paul Banks still knows how to wail!
ALBUM REVIEW: Blood Orange Takes On Heavy Themes on ‘Negro Swan’
The results are powerful but hard to digest.
ALBUM REVIEW: Steady Holiday Balances Lightness and Darkness on ‘Nobody’s Watching’
Indie pop with a twist of David Lynch.
ALBUM REVIEW: Papa M Meditates on ‘A Broke Moon Rises’
A contemplative listen from the busiest indie musician you haven’t heard of.
ALBUM REVIEW: DJ Muggs Kills on ‘Dia del Asesinato’
The latest Soul Assassins project from the Cypress Hill veteran.
ALBUM REVIEW: Conner Youngblood Paint Landscape Masterpiece on ‘Cheyenne’
Everything you need, and nothing you don’t.
ALBUM REVIEW: Death Cab For Cutie Take Stock on ‘Thank You for Today’
Ben Gibbard is getting nostalgic in his old age.
ALBUM REVIEW: Aminé Has So Much More to Offer on ‘ONEPOINTFIVE’
The “Caroline” rapper isn’t a one-trick pony after all.
ALBUM REVIEW: Mitski is in a League of Her Own on ‘Be The Cowboy’
She’s Iggy Pop’s favorite songwriter for a reason.
ALBUM REVIEW: El Ten Elven’s ‘Banker’s Hill Is Post-Rock at It’s Best
A truly noteworthy effort from the L.A. duo.
ALBUM REVIEW: Haley Heynderickx Will Feed Your Indie Folk Appetite with ‘I Need to Start a Garden’
Singer-songwriter spins a sparse stunner on debut album.
ALBUM REVIEW: Cordovas Sound Like Pretenders on ‘That Santa Fe Channel’
A Hollywood take on a “really cool, authentic, bearded bro band that can be sold to banks for commercials.”
ALBUM REVIEW: The Beths Make Awkwardness Endlessly Endearing on Debut Album
‘Future Me Hates Me’ is the most charming record you’ll hear all year.
ALBUM REVIEW: Louis Cole Makes Pop for the Fringe on ‘Time’
If Thundercat tried to make a pop album, it would sound like this.
ALBUM REVIEW: Trippie Redd Shows His Versatility on ‘Life’s A Trip’
A concise and worthwhile journey through teenage emotions and an unconventional mind.
ALBUM REVIEW: Moses Sumney Packs An Album’s Worth of Artistry In ‘Black in Deep Red, 2014’ EP
We’ll take all we can get from Moses.
ALBUM REVIEW: Bon Iver and The National Collide on Big Red Machine
An indie rock fantasy 10 years in the making.
ALBUM REVIEW: Nicki Minaj Keeps Her Crown on ‘Queen’
A slow-moving steamroller flattening everything in its path.
ALBUM REVIEW: Amanda Shires Plots an Americana Revolution on ‘Into The Sunset’
A radical slice of country folk that goes down like cold beer on a hot day.
ALBUM REVIEW: Travis Scott’s ‘Astroworld’ is One Hell of a Ride
Proof that Trap can lend itself to the album format.
ALBUM REVIEW: Gia Margaret Shimmers on ‘There’s Always Glimmer’
It might just be the prettiest thing put to wax this year.
ALBUM REVIEW: Mac Miller Battles Demons and Heartbreak on ‘Swimming’
While you’re never sure if his music is successful at saving him, it makes for a great listen.
JAZZ STARTER KIT: Sun Ra’s ‘Atlantis’
An iconic portal for entering the galaxy of Sun Ra.
ALBUM REVIEW: YG Plays It Close to Home on ‘Stay Dangerous’
It’s still a sharp and vivid LP with some high-caliber features
ALBUM REVIEW: Santigold Fully Embraces the Dancehall Sound on ‘The Gold Fire Sessions’
Featuring the dizzy vibrations of a Major Lazer album.
ALBUM REVIEW: Thou Complete Their Trilogy of Influences with ‘Rhea Sylvia’
New EP explores the band’s indebtedness to ’90s grunge and metal.
ALBUM REVIEW: Ghost-Note Pump Conscious Funk on ‘Swagism’
The Snarky Puppy side project is a rewarding listen for jazz-heads and newbies alike.
ALBUM REVIEW: Israel Nash Goes Big on ‘Lifted’
An impressive album for fans of melancholic, melodic folk rock.